The room is traced from the Studio IIII floor plan: every wall, counter, column, stool and the rear staircase are placed where the drawing puts them. Absolute scale is calibrated to the 5.80 m dimension written on the bar counters, which gives a 13.4 × 7.6 m main hall and a 4.3 m rear bay for the DJ.
Sheer metallic organza — the softest of the three. Lit from behind it glows as a body of light; lit from the front it reads as brushed steel. Closest to the reference canopy. Transmits ~50 %.
Translucent PE / TPU sheeting off the roll. Diffuses the caustic into slow-moving clouds and hides the dowels behind it; the crispest scallop edge of the set. Transmits ~40 %.
Metallised mirror film or chrome vinyl. Opaque and specular: every ripple of the light becomes a reflection, so the foil itself appears to flow. Loudest at the waterfall.
| Item | Qty | Note |
|---|---|---|
| Fabric runs | ||
| Chrome dowels, Ø 33 mm | Sleeve or grommet-lace the fabric around each pipe; every dowel of every run has its own height (sliders above the viewport) | |
| Hanger wires | Ø 2 mm steel wire from pipe grid, two per dowel; bottom two dowels of each fall tensioned to floor plates | |
| Grid clamps | Half-couplers on existing pipe grid — no new rigging points needed | |
| Moving heads / LED wash | Two per run, mounted on grid, projecting water gobo / animated caustic pattern; ice-blue to steel-white | |
| Uplights at fall | Floor-level RGBW bars between the fall and the rear wall, behind the DJ, so the waterfall is lit from behind and below |
The cloth is never lit flat. Each run gets two moving heads on the pipe grid carrying an animated water pattern (a rotating caustic gobo or a pixel-mapped LED wash) that drifts slowly from the entrance toward the DJ, so the whole ceiling seems to be under a shallow, moving surface of water.
The colour sits between ice-blue and steel-white and never fully saturates: the organza turns to liquid, the frosted plastic to fog, and the chrome foil to mercury. At the fall behind the DJ, floor bars push the same pattern up through the cloth from behind, so the waterfall is brightest at its base and the DJ is silhouetted against it.
The bar's existing warm downlights stay on at low level so the concrete columns and the counter keep their tone — the contrast between warm stone and cold water is the point of the room.